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MB&F Horological Machine Guide: HM1 to HM12 Specs, History, Prices | Ultimate Watch

The Horological Machine is not one watch. It is the spine of MB&F, the series that Maximilian Busser launched in 2007 to prove a wristwatch could be a kinetic sculpture first and a timekeeper second. Every few years a new Machine arrives with a new number, a new shape, and a movement engineered from scratch around that shape: a figure-eight tourbillon (HM1), a jet-engine wristpiece (HM4 Thunderbolt), a deep-sea jellyfish (HM7 Aquapod), a titanium house that winds itself when you spin it (HM11 Architect). Twelve numbered Machines plus the HMX exist as of 2026, almost all in editions of 25 to 100 pieces, and almost all of them trade hands rarely. We have handled MB&F pieces across our counter at 19 West 47th Street, and the pattern is consistent: the buyer already knows exactly which Machine he wants, and the seller usually has three other dealers on the phone. This entry covers the whole series, model by model, with the numbers that matter.

Specifications

CollectionMB&F Horological Machines, HM1 through HM12 plus HMX
ProducerMB&F (Maximilian Busser & Friends), founded 2005, Geneva
Series Launch2007 (HM1)
Case SizesFrom 41mm x 64mm x 14mm (HM1 figure-eight) to 54mm x 52mm x 24mm (HM4 Thunderbolt); HM11 Architect is 42mm x 23mm; HM12 The Guardian is 49.3mm x 43.6mm x 13.8mm
Case MaterialsGrade 5 titanium, 18k white gold, 18k 5N+ red gold, platinum 950, zirconium (HM5, 66 pieces), stainless steel, sapphire crystal cases (HM9-SV), CarbonMacrolon composite
MovementsEvery Machine runs a dedicated three-dimensional engine developed for that case, in-house or with named partners: Laurent Besse and Peter Speake-Marin (HM1), Jean-Marc Wiederrecht and Agenhor on a Gir…
Component CountsFrom 224 components (HM5) to 646 components and 86 jewels (calibre HM12)
Power Reserve42 hours (HM5, HM8) to 7 days (HM1, four barrels linked in series and parallel); HM11 holds 96 hours, HM12 holds 84 hours
FrequencyMostly slow-beat 18,000 vph (2.5 Hz) for the tourbillon Machines; 21,600 vph on HM4; 28,800 vph on HM3 and HM5
Water ResistanceTypically 20m to 30m on the sculptural pieces; 50m on HM7 Aquapod and HM10 Bulldog
Production NumbersHM1: roughly 100 examples across seven versions. HM4: about 100 pieces over ten years. HM6 Space Pirate: launched as 50 pieces in titanium. HM7: 33 titanium plus 66 red gold at launch. HM11: 25 pieces…
Retail PricingHMX opened at $30,000 in 2015, the entry point of the series. HM9 Flow retailed at $182,000; HM9 Sapphire Vision at $490,000. HM11 Architect launched at $230,000 before tax. HM12 The Guardian is CHF 2…

History

Iconic References

Buying Guide

Pricing & Market Data

Cultural Significance

Collector's Lore

The Friends in Maximilian Busser & Friends are real, named people, and collectors track them the way art buyers track studios: Eric Giroud spent hundreds of hours translating Busser's HM1 sketches into 3D; Peter Speake-Marin and Laurent Besse made the four-barrel engine actually run; Jean-Marc Wiederrecht flipped a Girard-Perregaux caliber upside down for HM3; David Candaux gave HM6 a tourbillon shield that opens and closes like an eyelid. The battle-axe rotor, first seen in 22k gold on HM3, became the brand's unofficial signature and reappears in platinum 950 on HM6. The MoonMachine collaboration put Stepan Sarpaneva's signature moon faces into HM3, an early example of the Performance Art pieces where an outside creator reworks an existing Machine. HM4 nearly broke the young company: 311 movement components and 65 case parts pushed its build cost so high that only around 100 were ever finished, and Busser has called it the purest expression of what MB&F exists to do. The HMX at $30,000 was a deliberate thank-you to collectors priced out of the main line. And HM12 revives the brand's robot obsession: the watch undocks from its strap and clicks onto the head of a 38.2cm L'Epee automaton holding a loupe, a UV torch, and a thermometer, 755 components of mechanical bodyguard. Nobody needs any of this, which is precisely the point, and precisely why the small editions keep selling out before they reach a display case.

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